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1、学位论文独创性声明本人所呈交的学位论文是在导师的指导下取得的研究成果。据我所知,除文中已经注明引用的内容外,本论文不包含其他个人已经发表或撰写过的研究成果。对本文的研究做出重要贡献的个人和集体,均已在文中作了明确说明并表示了谢意。作者签名:王延旭 日期: 2012年5月24学位论文使用授权声明本人授权沈阳师范大学研究生处,将本人硕士学位论文的全部或部分内容编入有关数据库进行检索;有权保留学位论文并向国家主管部门或其指定机构送交论文的电子版和纸质版,允许论文被查阅和借阅;有权可以采用影印、缩印或扫描等复制手段保存、汇编学位论文。保密的学位论文在解密后适用本规定。作者签名:王延旭日期:2012年5
2、月24浅谈邓石如的篆书风格在书法创作中的影响及应用中文摘要纵观书法发展史,中国书法的发展也是文字和文化的发展。伴随着书写形式的改变,涌现出许多对书法艺术不断探索和革新的人物,他们对今后的书写方式产生深远的影响,为书法艺术的发展拓宽做出尤为重要的贡献。邓石如就是这样一个鉴古察今的标志性人物,他将沉寂已久的篆书推向了一个新的发展平台。在他的创新在于突破了书家一直信奉的李斯、李阳冰模式,在宛转流通的篆书形式中融入了隶书的笔意和顺应自然的书写手法,他因字布势,既体现了篆书线条的生动流畅,又形成了浑厚的整体造型,解决了以往篆书书写的过分工艺化的问题,使亘古不变的篆书书写形式产生新的变化,引领了篆书的复兴
3、,从此开辟了篆书发展的开辟了一条崭新的道路。一直以来,篆书作为汉字字体发展的源头,因为书写实用性的下降,逐渐提升为艺术价值高装饰性强的书法表现形式。从以泰山刻石为代表的秦代小篆,到细若游丝的铁线篆,篆书的艺术描摹效果远远大于书写的价值。宋、元、明时期也有艺术家对篆书创新进行过探索、摸索,但都没有形成较为突出的影响,直到清代碑学兴起,隶书复兴,邓石如结合隶书对篆书书写形式的探索和革新,使篆书的自然书写意趣得到了重视,而邓石如所作出的贡献,让篆书发展多了一种可行性,并让后世的书家从这里引申发展出更多的不同风格不同变化。我们研究邓石如的篆书风格,是在他发展的基础上,对书法创作形式进行新的思考。在传统
4、书法中,篆书的创作往往需要融合线条、字形结构以及艺术审美等诸多因素,才能形成艺术价值高,观赏性强的作品。而我们对于书法史上有代表性书家风格的借鉴也尤为重要。为了解决为什么要融合邓石如的篆书风格进行创作、邓石如篆书的特点是什么、哪些特点可以借鉴、借鉴后的效果如何等问题,本人结合这位引领清代篆书大家发展的先驱人物的风格形成与艺术特点,总结他对后世篆书创作的影响,并在自己的篆书创作中,实践和解析对邓石如书写风格融合及应用的问题,采其精华,探索属于自己的篆书创作特点。关键字:篆书创作,邓石如,书法On Deng Shirus calligraphy style in calligraphy creat
5、ionand the effect of appHcationAbstractThroughout the history of the development of Chinese calligraphy, calligraphy is thedevelopment of language and cultural development. Accompanied by a written form of change,the emergence of many on the art of calligraphy, continuous exploration and innovation
6、of thecharacters, their future writing way and exerts a far-reaching influence, for the development ofthe art of calligraphy made extremely important contributions to broaden. Deng Shiru is such aview of the ancient review this iconic figures, he will have been quiet for a long time the script toa n
7、ew development platform. In his innovative breakthrough believed Li Si, Li Yangbing pattern,in circulation in seal script form into the official script conception, nature writing, because thecharacter disposition, which reflects the style of line and lively and fluent, and the integration ofvigorous
8、 brush, solves the seal script writing too much technology, make permanent seal scriptwriting produced new change, leading the Chinese Renaissance, then opened the seal characterand development of new roads.All the time since, Chinese characters font style as a source of development, becausewriting
9、practical drops, gradually promoted to high artistic value strong decorative calligraphyforms. From Taishan stone as the representative of the Qin Dynasty to the script, gossamer wireseal, seal art depicting the effect is far greater than the value of writing. The song, yuan, Mingperiod also have ar
10、tists to the seal script innovation to explore, but did not form a prominentinfluence, until the rise of Li calligraphy stele theory of Qing Dynasty, Renaissance, Deng Shirucombines of seal script writing of exploration and innovation, so that the seal character of naturewriting interest has been th
11、e focus of attention, and Deng Shiru fs contribution, let the scriptdevelopment of a kind of feasibility, and let the later calligraphers from here come thedevelopment of more different styles of different changes.In the traditional calligraphy, seal script creation often requires the fusion line, w
12、ordstructure and aesthetic factors, can form a high artistic value, ornamental work. And we have thehistory of calligraphy has the representative calligraphers style reference is particularly important.In order to solve the problem of why fusion Deng Shiru seal character style of creation, DengShiru
13、 what are the characteristics of the characters, which can draw, draw lessons from the aftereffect of how such issues, combined with the Qing Dynasty seal character development of thepioneer, the article will discuss Deng Shiru seal script style formation and development, analysisof his writing char
14、acteristics, summarized his seal script style on later generations influence, withhis graduation creation, solve the script creation of Deng Shiru writing style of integration andapplication of the problem, its essence, combined with their school, forming their owncharacteristics of the seal script.
15、Key words: Seal script calligraphy creation, Deng Shiru, calligraphy目录第一章引言A,1, 1一、学术背景及意义,二、文献综述,“,_,1三、研究课题来源力,”力,“,力 ”,99,H 99 99 99 99 99 99 99四、研究内容及目的,9VVWVVVVVVVVVVVVV第二章研究邓石如篆书风格的意义3, 1一、邓石如在篆书上的突破与创新,,山二、邓石如对后世的影响第三章解析邓石如的篆书特点99 99 99 99 H ”99 99 H 99 99 99 99一、对用笔的开创性改革,二、对结字的开创性改革99 99 V V 99 ” 99 99 99 ” 99 99 99 99 ” 99 99,第四章篆书创作中的具体应用、作品创作意识的提升二、应用后的思考结语,V V 99 99 n, 99 方, H V,参考文献99 99 99 99